illa-Lobos saw in the piano not only a tool that helped him in the composing process, but also another brilliant form of expression. It a very rare moment, we have the author as the performer of his "Choros Nº 5", suggestively subtitled "Alma Brasileira" (Brazilian Soul), dedicated to Arnaldo Guinle, one of his friends and patrons.
illa-Lobos saw in the piano not only a tool that helped him in the composing process, but also another brilliant form of expression. It a very rare moment, we have the author as the performer of his "Choros Nº 5", suggestively subtitled "Alma Brasileira" (Brazilian Soul), dedicated to Arnaldo Guinle, one of his friends and patrons.
